Close

Suburbs vs. moss

Suburbs-

We want green, but we want to control it.  Mow it, trim it, contain it, cut it, if it doesn’t behave or doesn’t fit our plans, poison it, kill it.

False sanitary neatness, cleanliness …Birds are ok as long as they don’t poop on our car.   Chipmunks are cute as long as they don’t wreck our flower beds.  The suburbs are an enormous human conceit, an attempted refabrication of Nature into a safe, sterile, unsurprising womb.  The moss chair is a form of dialectic concerning urban and suburban cultural blindness.  Urbanites and suburbanites have become the non-cognoscenti of the natural planet.  Children grow up afraid to splash in creeks and catch frogs, bugs, or play with caterpillars.

In our attempts to control Nature  we have exterminated entire species of animals: amphibians, insects, birds, fish, mammals…By reorganizing Nature according to our artificially generated organizational grid, we have actually weakened and poisoned the natural systems that sustain us, the plant transpiration and rain cycles that provide us with the very water and air we depend on.  By poisoning icky, crawly critters like insects,  we have decimated the insect pollinators which are responsible for 30% of the food we eat (all fruits and vegetables.)

We have killed the beneficial microbes that create healthy soils, leaving us to rely upon better food through chemistry, an unsustainable and poisonous proposition at it’s best.  Our rich, vibrant soils, communities of live microorganisms and their products, are dying via our arrogance, eroding away to the bare, infertile, sterile mineral substrates or subsoils.

We are big, so we are important.  In ecological terms, however, the smaller something is, the more important it may be.  Perhaps we will lose our fisticuffs with the small, icky, insentient microbes that truly run the planet, and the plants that depend upon them.

My next few installations are using live plant material.  I will be updating this post with pictures as the three projects I am currently working on are being assembled.

About the Radicis installation

radix -icis f. Latin. [a root; the foot of a mountain]; in gen. [foundation , basis, origin]

The foundation of most life on the planet is derived from the sun’s energy.

radix -icis f. Latin. [a root; the foot of a mountain]; in gen. [foundation , basis, origin]

The foundation of most life on the planet is derived from the sun’s energy.

The sun is the great engine, radiating energy throughout the cosmos, onto our planet. Plants absorbing that energy turn it into carbohydrates, sugars: food.
The macroscopic community interacts with the sun above ground, absorbing its energy through plant material. Plants, however, have a continuing and more complex story of associations.
(more…)

Urban Tumulus: 11,000 pounds out of 12,500 pounds

Jessica Marshall E., Michael and I made 12,500 pounds of adobe bricks for the Urban Tumulus installation this past July. Earth, sand, straw, water. Each air-dried brick measures 5 inches by 10 inches by 16 inches, and weighs 50 pounds. I don’t know how heavy they were when they were wet and newly unmolded. We made 250 bricks. The weather was damnably hot, bright, and dry, the hottest week of the summer, with temperatures ranging from 98 to 103 degrees. Making adobe is brutal physical labor, each day we needed to make between 35 -45 bricks. At the end of each day we were trashed. All of us who were involved with the project have a deep appreciation for the labor that goes into building an adobe dwelling.

(more…)

Jessica Marshall E.’s perspective

Wrapped in a sweeping coat of compost, Urban Tumulus is a process in existence.  Its mass is substantial and gives it a presence that wants embracing.  Drawn to the internal womb I find it welcoming and comforting.  Once inside it is safe and hard to leave but never the least bit claustrophobic. (more…)

Urban Tumulus

Soil.  The Urban Tumulus is about soil.  Soil is under our feet.  We depend upon it, we ignore it, we don’t see it.  All of our food comes from soil.  All of us return to soil.  The soil of Urban Tumulus addresses the viewer.

(more…)

Installation Art: Intercession of the Corporeal, ruminations…

My installation work is an intercession of the corporeal.

A Natural History diorama creates a loss of viewer interaction. Nature is preserved and glassed in. The viewer is only that: a bystander, not a participant. In this position, the viewer cannot catch the glassed in, formaldehyde-pickled frog between his/her hands, cannot feel the muscular squirm of a live frog as it tries to flee, smell its viscous yet delicate skin, peer at the bronze filigree in it’s iris. There is a veil of glass, poison and death between the viewer and the once live frog. The diorama or simulacra, while easily kept, is a replacement for visceral reality, the interaction between subjects in time and space within a dimensional environment (without glass). The diorama creates a layer of distance, of abstraction between the viewer and the subject.

(more…)

Grotesque:Beauty

Grotesque: Beauty
Disgusting! For some people, body humor is not considered to be in the realm of appropriate or polite behavior. The carnivale and humor of the grotesque in medieval Europe was considered “low,” of the earth, of genitals, bowels, sex, defecation and death. (Isack, pp 19-23) In this unofficial and unapproved behavior and language form, lay the power of shock, of owning and honoring (in a bizarre fashion) the peripheralized. Jo Anna Isaak, Feminism and Contemporary Art: the Revolutionary Power of Women’s Laughter, and Mikhail Bakhtin, Rabelais and His World, shed much light on the reasons why peripheralized populations of the present time may adopt “shocking” or “unofficial” speech forms in their vernacular and art forms.

(more…)

test post galleries

Heading One

Heading Two

Heading Three

Heading Four

Heading Five
Heading Six

Blockquote

The blockquote is used to indicate the quotation of a large section of text from another source. It can be as long or as short as you’d like!

Those of us that had been up all night were in no mood for coffee and donuts, we wanted strong drink. We were, after all, the absolute cream of the national sporting press.


Mixed List Items

  • Unordered list item one
  • Unordered list item two
    1. Ordered list item one
    2. Ordered list item two
      • Unordered list item one
      • Unordered list item two
        1. Ordered list item one
        2. Ordered list item two
        3. Ordered list item three
      • Unordered list item three
    3. Ordered list item three
  • Unordered list item three

Code Formatting

pre {
					position: relative;
					background: #f7f7f7;
					font-family: "Courier 10 Pitch", Courier, monospace;
					font-size: 1.5rem;
					line-height: 1.6;
					margin-bottom: 1.6em;
					tab-size: 4;
				}

Table Styles

Beatle Instrument Song
John Lennon Guitar A Day In the Life
George Harrison Guitar Old Brown Shoe
Paul McCartney Bass Helter Skelter
Ringo Starr Drums Don’t Pass Me By

Highlight Text Style

To use the highlight, you simply need to add a span with the class highlight. This can be done in the Text editor view. See an example below:

<span class="highlight">This will be highlighted.</span>

Image Alignment

This is a full width image, center aligned in the post.

This is a full width image, center aligned in the post.


Right Aligned Image

Right aligned.

Right aligned.

Images may be two-dimensional, such as a photograph, screen display, and as well as a three-dimensional, such as a statue or hologram. They may be captured by optical devices – such as cameras, mirrors, lenses, telescopes, microscopes, etc. and natural objects and phenomena, such as the human eye or water surfaces.


Left Aligned Image

Left aligned.

Left aligned.

The word image is also used in the broader sense of any two-dimensional figure such as a map, a graph, a pie chart, or an abstract painting. In this wider sense, images can also be rendered manually, such as by drawing, painting, carving, rendered automatically by printing or computer graphics technology, or developed by a combination of methods.


Pull Quote Styles

To use the pull quote, you simply need to add a class of pull-right or pull-left to your content. This can be done in the Text editor view. See an example below:

<span class="pull-right">Pull this text right.</span>

This pull quote is just hanging out on the right side of the post. Lorem ipsum dolor sit amet, consectetur.

A pull quote (also known as a lift-out quote) is a quotation or excerpt from an article that is typically placed in a larger or distinctive typeface on the same page, serving to entice readers into an article or to highlight a key topic. The term is principally used in journalism and publishing.

Placement of a pull quote on a page may be defined in a publication’s or website’s style guide. Such a typographic device may or may not be aligned with a column on the page. Some designers, for example, choose not to align the quote. In that case, the quotation cuts into two or more columns, as in the example shown.

And this pull quote is pulling text to the left, like a sir. Lorem ipsum dolor sit amet, consectetur.

Pull quotes need not be a verbatim copy of the text being quoted; depending on a publication’s house style pull quotes may be abbreviated for space and/or paraphrased for clarity, with or without indication. There are no hard-and-fast rules for the exact formatting of pull quotes.


Tiled mosaic

Thumbnail grid

Square Tiles